Review: Touched by the Graces: The Libretti of Philippe Quinault in the Context of French Classicism

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Review: Touched by the Graces: The Libretti of Philippe Quinault in the Context of French Classicism

Auteurs : Richard Parish

Source :

• Music and Letters [ 0027-4224 ] ; 2003-08.

RBID : ISTEX:7EFAFFADA819564791FC2B6161CE81ABD63339CF

English descriptors

• Teeft :
  • Absolute monarch, Actual lyriques, Adult years, Allegorical burden, Allegorical pieces, Arts florissants, Auteur sans defaut, Baptismal certificate, Baroque music, Biographical information, Biographical material, Buford norman, Buford norman contextualizes, Cases offering guidance, Celestial glory, Certain amount, Certain eyes, Certain tenets, Chivalric romance, Classical librettist, Classical mythology, Classical norms, Clearer focus, Cnrs edns, Composers laboured, Concert performance, Contemporary performance conditions, Convincing degree, Critical reappraisal, Diverse tendencies, Dramatic structure, Dramatis personae, Drinking song, Economical language, Effective integration, Eighteenth century, Emotional conclusion, Emotional effects, Encomiastic burden, Episodic structure, Experimental nature, Explicit emphasis, Extensive plot summaries, Facile erudition, Fascinating questions, First audiences, First book, First time, Fourth acts, French classicism, French music, French neoclassicism, French opera, French operas, French taste, French theatre, Further dimension, General introduction, Gervais, Glorious aberration, Good deal, Great madame, Home parish, Illustrious career, Important patron, Impressive passacaille, Inelegant gallicism, Inimitable nature, Inspiring quality, Interdisciplinary approach, Internal advice, Internal references, Intriguing question, Joint career, Late popularity, Libretto, Literary conventions, Literary front, Literary texts, Literate reader, Local strengths, Louis chapel, Louis future victories, Lully, Lyrical vein, Magnificent oxymoron, Main areas, Main characters, Male rivalry, Many senses, Masterpiece armide, Modern editions, Modern reader, Modern revival, Monstrous ones, Montagnier, Moral lessons, More audaciously, More lully, Moves opera, Multiple factors, Musical forms, Musical grounds, Musical idiom, Musical illustration, Musicological study, Mythological subjects, Naked exposure, Nineteenth century, Noble heroes, Norman analyses, Norman enlighteningly, Norman stresses, Novelistic plot, Obvious question, Occasional juxtaposition, Offering enlightenment, Opera hypermnestre, Operatic innovation, Orleans family, Other hand, Ovide moralise, Penitent mary magdalene, Pense exprimer, Penultimate collaboration, Performance texts, Philippe quinault, Pithy elegance, Political meanings, Poor characterization, Prevalent racinocentrism, Psychological development, Psychological questions, Questions montagnier, Quinault, Real world, Recent years, Recits lyriques, Recurrent concern, Recurrent problems, Richard parish gervais, Rime quinault, Same number, Second rate, Sexual abuse, Shallow praise, Spectacular foudroiement, Such personalities, Supernatural dimension, Teleological view, Timely study, Total lack, Triumphant years, Useful portrait, Various components, Various emotions, Verse tragedy, Weak plot, Welcome element, Whole gamut, William christie, Witty couplet, World view, Young gervais.

Url:

• https://api.istex.fr/ark:/67375/HXZ-2C2L86XD-V/fulltext.pdf

DOI: 10.1093/ml/84.3.483

Affiliations:

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